A Garden Designer’s take on pottery in landscape design
“All Fired UP” Blog. by Robin Snyder
Note the use of the empty unglazed brown pots with the green pots that have touches of brown on rim and in the glaze. This connects the two. The matte black angular pots carry though the architectural lines of the house. The off-white ribbed ball fountain ties together with the ribbed texture of the tall brown pot in the opposite corner.
Hello and Welcome to “All Fired Up” the Pottery House Blog for folks who love ceramic pottery in their landscape!
There are many great uses for pottery in a garden or landscape as well as in the home. Whether you use pottery to plant an ornamental tree, an evergreen shrub or a seasonal mix of plants, the perfect pottery arrangement can do wonders for a space creating contrast, unique perspectives, and interesting highlights. Pottery can have functional uses as well as decorative intent. With help from seasoned designers and Pottery House professional staff, you can create an attractive and inviting landscape with a few well-placed planters.
We are interviewing three Landscape Designers and Landscape Architects to find out their take on ceramic pottery uses, placement, incorporation into the over-all landscape and patio design. You will be seeing each of these interviews in the next few months here on our “All Fired Up” blog.
Leslie Thies, owner of LT Landscape Design, approaches design with a focus on utilizing plants and structural elements with interesting contrasts in color and texture that provide year-round appeal. She is interested in creating sustainable gardens, keeping in mind the use of hardy, drought tolerant and deer resistant plants, as well as fire wise arrangement of spaces and structures. https://ltlandscapedesign.com/
Let’s Get Started!
Pottery House: Thank you so much , Leslie Thies, for sharing your time, knowledge, and artistic skill with us and our Pottery House Fans today. Let’s get started. As the largest outdoor pottery retailer in Central Oregon, we provide support to our customers with planter choices, styles, and colors, and make recommendations for styles and sizes. We have the experience to find and order whatever our customer’s desire. Making the decision of what to buy, how many and what works together in the landscape and home is hard. We have broken down the most asked customer questions for our designers to offer their opinions. We do hope this is helpful to our customers and fans.
This lovely pot is filled with annuals like Begonias, Dichondra ‘Silver Falls”, and the perennial shrub “Golden Berberis” to accent the blue-green tones of the pot and charcoal house colors. The lovely textured spirals on the pot mesh with the textured neutrals of the fountain and wood slab along the wall, The orange-red of the Begonia carry the red tones of the unglazed Vietnamese pot in the background.
Pottery House: What is your primary motivation for using pottery in your designs? Many landscape architects and designers focus just on the planted landscape or hardscape patio and pathways. You seem to have a strong design focus that incorporates pottery.
Leslie: High-quality ceramic planters provide beautiful, impactful structure bringing year-round color and interest to an outdoor space. I view the use of a pot as an investment in a piece of art that changes the feel of a garden significantly and can be moved as needs and desires change. Planters can change with the seasons as well as provide color and architectural interest in fall and winter when the colorful tropical annuals are not available. Many pots have architectural interest in themselves and can be left empty holding space and interest on their own.
Note the use of the empty unglazed brown pots with the green pots that have touches of brown on rim and in the glaze. This connects the two. The mat black angular pots carry though the architectural lines of the house. The off-white ribbed ball fountain ties together with the ribbed texture of the tall brown pot in the opposite corner.
Leslie: Pots complement textural components of architecture as well as landscape. They provide visual interest in summer with colorful plantings and strongly hold space and aesthetic interest through the winter with little or no plant materials. The plantings often include an evergreen element such as a hardy conifer or yucca, or simply cut bright twigs and boughs for winter interest. They can be layered with color and texture through the addition of perennials and annuals through the growing season.
Texture connects fencing and the pottery. In summer the webbing of the wooden chair ties both the fencing color and texture and provides complimentary textural cohesion to the ribbed pot.
See how the ribbed texture of the pot carries the horizontal lines of the fencing both in color tones and texture. Especially in winter with the snowfall accenting the horizontal lines?
Pottery House: What part does physical mass play to the eye and setting? By this we mean that sometimes large individual pots are used to hold a space and sometimes multiple pots, sometimes same texture or not. How does a homeowner figure out what to do? And how does one not create clutter?
Leslie: Generally, I like to use fewer, larger pots. Not only does this make a bigger impact design wise, but it also works well in relation to the larger structural elements of a property, and/or the big picture of the surrounding structure and landscape. However, we are really talking about how the eye sees “mass”. Multiple smaller pots arranged together can offer that same sense of ‘holding space’ as one large pot.
From the outside, it is obvious that the matte black pots carry the color of the house but, notice the rich warm rust color of the metal fencing ties into the ponderosa tree trunk? The pop of orange red of the begonias also carries those warm tones. Then follow those color tones inside to the kitchen and living area. Can you see how the landscape ties the outside to the inside? The collection of large and smaller accent pots and plants creates mass that hold visual space from inside and out!
Pottery House: What pottery styles or textures are most effective? There are so many pottery styles! From classic with a rim and tulip shapes; more contemporary rimless giving a modern or Asian look; and then everything in between with assorted color and texture. Currently, a coarsely textured volcanic look with multiple colors and depth of texture is popular with pottery wholesalers. How does a homeowner choose?
Leslie: I don’t think one style (or texture) is more effective than another. It’s more about individual preference, but I do think consistency is vital. Enough repetition of one color-palette and/or texture is pleasing and provides a backdrop for pops of color and strong contrasts in structure and plantings without cluttering a space. This repetition can be accomplished by picking up the smallest speckle of color in one pot, repeated as the main color of another pot. Great design mimics nature through the thoughtful use of a few colors/textures, shifting through the seasons.
As you can see in this patio grouping of pots, there are classic and modern styles of pottery; Flat and glossy glazes, textured, ribbed and unglazed pottery; Varied sizes as well. The flat back of the house color was the main color from which all the pottery decisions were made. The brown pots bring in the ponderosa tree trunk color. The plant choices carry the blue green tones of the native vegetation as well as the green pots. When the annuals (Begonias, Dichondra ,Kalanchoe die back in fall, the Yuccas, hardy Cactus and Cholla provide plant texture and contrast in the off season.
Pottery House: How do you incorporate ceramic pottery into your designs and how do you figure out pottery placement? There are certain landscape rules of course, like using odd numbers of massed collections; then using pots as distant focal points in the landscape; using smaller pots for intimate collections close to seating; or separating a pathway; or bringing continuity between the landscape and the building architecture. but what is your design aesthetic?
Leslie: As I stated earlier, I think of pottery as an art piece in the design rather than an afterthought accent. I’ll often start with a large ceramic pot or massed collection of pots or other features. I build to the landscape with that as a focal point considering setting, natural features, and architectural components. I loved the grey tones and textures of this aged ponderosa cookie slab and paired it with this off-white ribbed fountain and coarse grey concrete and smooth flat black pots.
The Agave comes into the garage in winter, but the Native Soapwort stays outside year-round for winter interest. The fountain is emptied but stays out since it is under an overhang protected from snow and rain accumulation (of course the pump is removed for the winter)
Leslie: Regarding placement, Pots and fountains become focal points, sometimes highlighting, or complimenting a particular view or structure, sometimes creating an invitation to explore a particular part of the garden. The use of massed pots of different textures, colors, and sizes, creates its own focal point.
The exterior paint color of this home was chosen in great part as a backdrop for the colors/textures of the coveted ceramic pots! Each color tone was specifically chosen to contrast or accent the pallet of the house and the natural vegetation
Pottery House: Oh, you mean, that the red brown tones of the brown pots in the front of the house accent the big ponderosa pines in your surroundings? And the blue green tones of the plants you have chosen for your pots blend with the blue greens of the Pursia/Bitterbrush and Artemisia/sagebrush? Though the bright lime green of the smaller pots and the fountain don’t seem to carry those tones?
Leslie: Yes, I’m glad you caught that. If you look closely, the bright lime greens are mottled with brown flecks tying them to the browns of the furniture, structural patio posts and the ponderosa trunks. That was intentional, as was the plant color choices. I love Yuccas in our central Oregon landscape. They have year-round interest as evergreens, and most are hardy for us even in Sisters and La Pine. As a structural element they have a rigid leaf that provides lots of vertical movement and provide great winter interest. Sedum and Wooly Thyme provide evergreen interest as hardy groundcovers
This fountain with disappearing reservoir creates a focal point that ties into the other colors of the pottery on the patio and ties in both vegetative and hardscape colors in the landscape/
Pottery House: With these big windows in this home, it really brings the outside pottery and landscape into the house. It feels like the pottery and colors used outside are carried into the theme of the plants and pots inside!
Leslie: That was intentional too! Don’t be afraid to use big ceramic pots indoors! And, yes, I designed these pots to compliment and carry the design from inside to outside.
The large, glazed pot inside makes a bold statement. The natural wood ball and coarse trunks of the Yucca in the basket bring all sorts of natural textures to play and connect the natural world outside.
Pottery House: Leslie, Thank you so much for your time today. We are sure that our customers will benefit from your design concepts as they choose their pottery. We both might be hearing from some of them!